A strike by stagehands forced the cancellation, but the union temporarily suspended its strike on Thursday, allowing the concert hall to open its doors for now. A union leader told Reuters he was optimistic the two sides could reach a permanent deal by Friday. The dispute hangs on whether the stagehands – mostly prop-makers, carpenters and electricians – should have a role in a new educational wing that the Carnegie Hall Corp plans to open above the hall next year. The corporation wants to hire cheaper labor at the education wing. Negotiations with the union took an unprecedented turn on Wednesday when Local 1 of the International Alliance of Theatrical Stage Employees decided to go on strike for the first time in the history of Carnegie Hall. However, when James Claffey, president of Local 1, emerged from negotiations on Thursday afternoon, he announced the union had agreed to pull down the picket line for the day, citing progress in the talks. “This is a goodwill gesture towards Carnegie Hall,” said Claffey, whose local has negotiated some of the most lucrative pay in the industry. He later said further progress had been made, and that even though picketing would continue, he hoped to reach a deal by Friday. Carnegie Hall’s five full-time stagehands make an average of $400,000 per year including benefits, The New York Times reported, citing the organization’s tax returns. Claffey said there were many more stagehands represented by the union who work only sporadically. “This dispute is not about those employees,” Claffey said. “This is about everyone else. These are middle class employees.” The strike forced Carnegie Hall to cancel a performance by the Philadelphia Orchestra with violinist Joshua Bell. The concert was part of Carnegie Hall’s opening-night gala, the organization’s biggest fundraising event of the year.
“Tourists are here all day long, but otherwise it’s underutilized.” Added Frank, another promoter hired by the nonprofit group that oversees the pier, “The mandate was to bring content here.” PHOTOS: Concerts by The Times Content in the form of musical performances isn’t unheard of on the pier, which last month wrapped its 29th annual Twilight Concert series with a free show by the reggae star Jimmy Cliff. The gig drew 30,000 people, according to some estimates. But this year the promoters expanded the menu with a slate of ticketed festivals, including All Bands on Deck! (with indie acts such as Poolside and Yacht) and September’s Beach Ball (featuring Aloe Blacc and Sly & Robbie). This weekend the pier is to host Way Over Yonder, an inaugural two-day roots-music event connected to the venerable Newport Folk Festival with performances Saturday and Sunday by Neko Case, Conor Oberst and Calexico. And Oct. 19 will bring the comedy-based Festival Supreme, assembled by Jack Black and his mock-rock band Tenacious D. The shows are part of what pier official Jay Farrand called “a larger effort to get people to take a second look at the pier to think of it not just as somewhere you take Grandma from Kansas.” But for Frank and Fleischmann whose respective companies, Spaceland and Rum & Humble, put on concerts at the Echo and the Hollywood Bowl, among other spots the activity also reflects their desire to establish a new home for music on the Westside, where a dearth of large and mid-sized venues intensified with the closing this summer of the Santa Monica Civic Auditorium. PHOTOS: Unexpected musical collaborations “People here need a place where they can gather in large numbers for music,” said Fleischmann, who pointed to high rents and restrictive permitting as reasons the Westside generally lacks such spaces. The century-old Santa Monica Pier, an instantly identifiable but historically significant landmark, makes for a complex solution to that problem. Jay Sweet, who supervises the Newport Folk Festival, said the pier appealed to him for Way Over Yonder because it’s an “iconic place that’s not a traditional music venue” similar to Fort Adams State Park in Rhode Island, where Newport has taken place since 1959. “There’s an overall vibe there,” said Cliff’s manager, Ernie Gonzalez, who added that the pier attracts an audience more diverse than at other venues. “I went to a show recently at the Greek Theatre with an artist who’s been around for as long as Jimmy,” he said. “And it was kind of the obvious demographic. But at the pier it was all across the board.” Yet there are also structural limitations the stage for Way Over Yonder had to be designed according to load-bearing considerations and the long-established reluctance of arty Eastsiders to travel west.
VH1’s ‘You Oughta Know’ Concert To Feature The Lumineers, Lorde, Ed Sheeran
| Getty Get Entertainment Newsletters: Subscribe Follow: Ed Sheeran , Ed Sheeran You Oughta Know , Matt Nathanson , The Lumineers , VH1 You Oughta Know , Emeli Sande , Haim , Johnnyswim , Lorde , Lorde You Oughta Know , The Lumineers You Oughta Know , You Oughta Know , You Oughta Know Concert , You Oughta Know Show , Entertainment News NEW YORK — NEW YORK (AP) The Lumineers, Lorde and Ed Sheeran will perform at a concert Nov. 11 to celebrate VH1’s “You Oughta Know” campaign. “You Oughta Know” highlights emerging musicians and launched in 2005. VH1 announced Friday that Scottish R&B singer Emeli Sande and rock sister trio Haim also will perform at New York’s Roseland Ballroom for the event. The concert will stream live online and will premiere Nov. 21 on VH1. Singer-songwriter Matt Nathanson and married duo Johnnyswim also will hit the stage. Past “You Oughta Know” artists include Adele, Bruno Mars, Amy Winehouse and Mumford & Sons. New Zealand singer Lorde currently has the No. 1 song on the Billboard Hot 100 chart with “Royals,” and Sheeran and the Lumineers earned nominations in top Grammy categories earlier this year. ____
One Direction impress fans of all ages at Sydney concert
There were a lot more boys in the audience who were genuine fans, too, cheering the band on and not just being pulled along by their daughter, girlfriend or best friend. Absolutely everyone at the concert was friendly and accepted me going with my dad, in a Manly Sea Eagles shirt, as we all cheered, screamed and shed tears about the boys. They have contributed a lot more then just music to our lives. *** Review by Alan Stokes (aged 50 a bit) The expectation of anyone but adoring teenagers at a One Direction concert is that you’ll walk out having seen too much of a phenomenon and heard too much of a screaming mob. They even sell earplugs at the front counter. But the first Sydney show of the 1D world tour left you wanting more – much more – of their songs. On a night with plenty of teenage fandom in theroom, the love ballads stood out in a two-hour plus show that surprised even the most cynical. When the boys dropped their often inaudible chatter which slowed the momentum, and when they stopped trying to be rock gods, one thing was clear: they doupbeat pop very welland they do love just beautifully. And when they do Ed Sheeran, they do him better than he does. MomentandLittle Thingsstood out but even they couldnt compete withMore Than This. At every turn Liam Payne was on song, showing he has grown into the sort of frontman who will last way beyond a boy band. This was a coming of age show. One Direction have musical talent, can harmonise well and there was even emotion. There were no weak links, either.