Can The Santa Monica Pier Become A Great Concert Venue?

VH1’s ‘You Oughta Know’ Concert To Feature The Lumineers, Lorde, Ed Sheeran

But sheltered inside a seafood joint, Mitchell Frank and Martin Fleischmann didn’t seem concerned with the weather perhaps because they were busy describing winds of change. “What we’re trying to do is create a destination for locals on the pier,” said Fleischmann, a veteran Los Angeles concert promoter. “Tourists are here all day long, but otherwise it’s underutilized.” Added Frank, another promoter hired by the nonprofit group that oversees the pier, “The mandate was to bring content here.” PHOTOS: Concerts by The Times Content in the form of musical performances isn’t unheard of on the pier, which last month wrapped its 29th annual Twilight Concert series with a free show by the reggae star Jimmy Cliff. The gig drew 30,000 people, according to some estimates. But this year the promoters expanded the menu with a slate of ticketed festivals, including All Bands on Deck! (with indie acts such as Poolside and Yacht) and September’s Beach Ball (featuring Aloe Blacc and Sly & Robbie). This weekend the pier is to host Way Over Yonder, an inaugural two-day roots-music event connected to the venerable Newport Folk Festival with performances Saturday and Sunday by Neko Case, Conor Oberst and Calexico. And Oct. 19 will bring the comedy-based Festival Supreme, assembled by Jack Black and his mock-rock band Tenacious D. The shows are part of what pier official Jay Farrand called “a larger effort to get people to take a second look at the pier to think of it not just as somewhere you take Grandma from Kansas.” But for Frank and Fleischmann whose respective companies, Spaceland and Rum & Humble, put on concerts at the Echo and the Hollywood Bowl, among other spots the activity also reflects their desire to establish a new home for music on the Westside, where a dearth of large and mid-sized venues intensified with the closing this summer of the Santa Monica Civic Auditorium. PHOTOS: Unexpected musical collaborations “People here need a place where they can gather in large numbers for music,” said Fleischmann, who pointed to high rents and restrictive permitting as reasons the Westside generally lacks such spaces.

Carnegie Hall concert goes on, after strike canceled performance

| Getty Get Entertainment Newsletters: Subscribe Follow: Ed Sheeran , Ed Sheeran You Oughta Know , Matt Nathanson , The Lumineers , VH1 You Oughta Know , Emeli Sande , Haim , Johnnyswim , Lorde , Lorde You Oughta Know , The Lumineers You Oughta Know , You Oughta Know , You Oughta Know Concert , You Oughta Know Show , Entertainment News NEW YORK — NEW YORK (AP) The Lumineers, Lorde and Ed Sheeran will perform at a concert Nov. 11 to celebrate VH1’s “You Oughta Know” campaign. “You Oughta Know” highlights emerging musicians and launched in 2005. VH1 announced Friday that Scottish R&B singer Emeli Sande and rock sister trio Haim also will perform at New York’s Roseland Ballroom for the event. The concert will stream live online and will premiere Nov. 21 on VH1. Singer-songwriter Matt Nathanson and married duo Johnnyswim also will hit the stage. Past “You Oughta Know” artists include Adele, Bruno Mars, Amy Winehouse and Mumford & Sons. New Zealand singer Lorde currently has the No. 1 song on the Billboard Hot 100 chart with “Royals,” and Sheeran and the Lumineers earned nominations in top Grammy categories earlier this year. ____

Concert photos by the L.A. Times

The dispute hangs on whether the stagehands – mostly prop-makers, carpenters and electricians – should have a role in a new educational wing that the Carnegie Hall Corp plans to open above the hall next year. The corporation wants to hire cheaper labor at the education wing. Negotiations with the union took an unprecedented turn on Wednesday when Local 1 of the International Alliance of Theatrical Stage Employees decided to go on strike for the first time in the history of Carnegie Hall. However, when James Claffey, president of Local 1, emerged from negotiations on Thursday afternoon, he announced the union had agreed to pull down the picket line for the day, citing progress in the talks. “This is a goodwill gesture towards Carnegie Hall,” said Claffey, whose local has negotiated some of the most lucrative pay in the industry. He later said further progress had been made, and that even though picketing would continue, he hoped to reach a deal by Friday. Carnegie Hall’s five full-time stagehands make an average of $400,000 per year including benefits, The New York Times reported, citing the organization’s tax returns. Claffey said there were many more stagehands represented by the union who work only sporadically. “This dispute is not about those employees,” Claffey said. “This is about everyone else. These are middle class employees.” The strike forced Carnegie Hall to cancel a performance by the Philadelphia Orchestra with violinist Joshua Bell.

Concert Series at The Frick Collection to Celebrate 75th Anniversary

Debuts this year include Russian pianist Anna Vinnitskaya (winner of the 2007 Queen Elizabeth Competition); renowned Swiss recorder player Maurice Steger; the award-winning Meccorre Quartett from Poland; acclaimed Swiss pianist Olivier Cave; and the internationally recognized Minguet Quartett from Austria. The Frick concert series also has a long history of reaching audiences far beyond those present for performances. Since 1939 the concerts have been broadcast on the Municipal Broadcasting System, American Public Radio, and WNYC Radio. Currently, concerts can be heard on WQXR/National Public Radio. Recent performances are posted on the station’s Web site for up to two years. In addition, since 2009, four concerts annually have been broadcast on BBC Radio 3 in the United Kingdom. For complete program information, visit www.frick.org/programs/concerts . 75TH ANNIVERSARY SEASON Il Pianoforte Italiano- Clementi, Dallapiccola, Pistoia, Scarlatti, and Bach transcriptions of Marcello and Vivaldi Miguet Quartett (debut) Haydn, Ligeti, Mendelssohn Trio Settecento: Rachel Barton Pine, violin; John Mark Rozendaal, cello; David Schrader, harpsichord 18th-Century Fiddle Music in the Scottish Tradition: Corelli, Mackintosh, McGibbon, Munro, Geminiani, Erskine, traditional tunes Henry Clay Frick (1849-1919), the coke and steel industrialist, philanthropist, and art collector, left his New York residence and his remarkable collection of European paintings, sculpture, and decorative arts to the public “for the purpose of establishing and maintaining a gallery of art, [and] of encouraging and developing the study of fine arts and of advancing the general knowledge of kindred subjects.” Designed and built for Mr. Frick in 1913 and 1914 by Thomas Hastings of Carrere and Hastings, the mansion provides a grand domestic setting for the masterworks it contains and is reminiscent of the noble houses of Europe. Of special note are paintings from the Renaissance through the nineteenth century by masters such as Bellini, Constable, Corot, Fragonard, Gainsborough, Goya, El Greco, Holbein, Ingres, Manet, Monet, Rembrandt, Renoir, Titian, Turner, Velazquez, Vermeer, and Whistler. Mr.